Cristiana Giordano is an associate professor of anthropology at UC Davis. She received her Ph.D. in anthropology from the University of California, Berkeley, and her M.A. in philosophy from the University of Pavia, Italy. She works on foreign migration, mental health, the body, and cultural translation in contemporary Italy. Her research addresses the politics of migration in Europe through the lens of ethno-psychiatry and its radical critique of psychiatric, legal, and moral categories of inclusion/exclusion of foreign others; and through the lens of research on the human microbiome and migrant health in Europe. Her broader research interests also engage the relation between psychic life, therapy, clinical sites, and images. She is the author of Migrants in Translation. Caring and the Logics of Difference in Contemporary Italy (University of California Press, 2014), Winner of the Boyer Prize for Contributions to Psychoanalytic Anthropology, Society for Psychological Anthropology, 2017; the Victor Turner Book Prize for ethnographic writing, Society for Humanistic Anthropology, 2016 (second prize); and finalist for the 2015 PEN Center USA UC Press First Book Award.

Greg Pierotti is an assistant professor of dramaturgy and collaborative playmaking at the University of Arizona, and an interdisciplinary theater artist. He and his collaborator Cristiana Giordano are currently investigating the intersection of ethnographic and theatrical writing and research practices. Pierotti’s devised theatrical works include, The Laramie Project, The People’s Temple and Laramie: 10 Years later. He is an Emmy nominated co-writer of the HBO teleplay of The Laramie Project. His work has been seen in venues around the world including Lincoln Center Theater and Brooklyn Academy of Music. He has developed new devised work at Berkeley Rep’s ground floor, Sundance theater lab, and Mason Dora Maar. He is the recipient of the Humanitas Prize, the Will Glickman Award for new plays, the San Francisco Critics award. He has been nominated for an Emmy award, a NY Drama Desk Award and the Alpert Award for outstanding individual contribution in the theater.

Ricardo A. Bracho is currently Sachs Artist-in-Residence in the Gender, Sexuality & Women’s Studies program here at Penn, where he teaches creative and critical writing. His plays have been staged read, workshopped, and premiered in theaters and at universities nationwide.  He has a committed focus on working with feminist, queer, Latiina/o, community-based, and experimental theaters including Mabou Mines, INTAR, and Company of Angels. His plays have also been staged read and workshopped at Vassar, Stanford, DePaul University, and the University of California campuses at Riverside, Berkeley, Irvine, Santa Cruz, and Santa Barbara.  His past academic appointments include Artist/Scholar-in-Residence at the Center for Chicano Studies at UC Santa Barbara and the Multicultural Faculty position at The Theatre School at DePaul University.  His plays include The Sweetest Hangover, Sissy, Mexican Psychotic, and Puto.  He has worked in independent film and video as an art director, in casting, and as a script, grant, and editorial consultant, primarily with queer, black, and brown makers, including Augie Robles, Cauleen Smith, and Ela Troyano. As a producer and dramaturge, he has helped stage anti-gentrification street theater in Boyle Heights and the works of Lisa Thompson, Brian Bauman, and Sigrid Gilmer. He began this theater career some thirty years ago as Assistant Director to Cherrie Moraga’s DramaDIVAS, writing for a performance workshop for queer and trans youth of color.  He was a co-founder of Proyecto ContraSIDA Por VIDA, a San Francisco based Latina/o LGBT HIV service agency.  He has also worked on curriculums, media campaigns, research and funding for FIERCE!, AIDS Project Los Angeles, and Center for AIDS Prevention Studies.  He was a researcher on The H.I.P. H.O.P. Project (Health in Prison, Health Outta Prison) for young men in San Quentin Prison. He was interviewed on The Blunt Project in New York. He is developing two chapbooks of poetry, The Salt of Him and Under Quarantine.