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three  films : The inner Tour, The law in these parts and The viewing booth

2/5/2024

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A Note from Ra' Anan:

Hello everyone, 


I am privileged and grateful to be CEE fellow this semester and looking forwards to engaging with you all. Towards the upcoming meet-the-fellows event I am sharing links to 3 films I made about Israel/Palestine in the last two decades.  The films disclose the way I position myself towards the place that I come from, and my effort to communicate my understanding of the conflict with audiences.


They also demonstrate a shift in my understanding of the power relations that underly my making these films over this period of time, and an aesthetical shift from a cinema that wants to capture beauty of landscapes and of faces; to explore people’s actions and body language - to an almost emotionless, claustrophobic, almost suffocated filmmaking. This trajectory was not premeditated – it was informed by the question that the very making, and releasing of each of these films into the world brought up and if interesting for the group I am happy to share some thoughts.  

​-Ra'Anan 



Film Links: 
The Inner Tour (2000) 
password:

TIT111120 

​
The Law in These Parts(2011) 
​password:
TLITP2023 


The Viewing Booth (2019) 
​
​password:
SNFP2021
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JILL BAKER @ BLACK  REPRODUCTION  WORKING  GROUP

2/2/2024

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THURS FEB 22 2024
12PM-2PM

RSVP

FEB 22 @ NOON
PUBLIC TRUST
4017 WALNUT STREET

Join us for the first meeting of the year for the Black Reproductive Working Group, which gathers together reproductive justice workers, scholars, healers, and community allies. This month we are joined by Dr. Jill Baker, the CEO of “A Tribe Called Fertility LLC” and Creator/Producer of “Maternal Health 911” Podcast, and the Executive Director of the Center for Parent and Teen Communication (CPTC) at CHOP. Lunch will be served with vegan and vegetarian options.


THE WORKING GROUP

What sites, processes, and practices constrain Black parental and reproductive autonomy in Philadelphia institutions and communities?

What are the outcomes and experiences of these constraints?

What strategies exist, or could exist, for transforming these?



We convened this working group in 2022 to study constraints on Black reproduction in contemporary, historical, and global contexts, especially as these freedoms are challenged through public health, reproductive medicine, legal systems, and economic practice. 


Reproductive Justice (RJ) frameworks were created in 1994 by a group of Black women activists, including prominent RJ scholar Loretta Ross, to call attention to the racial and gendered disparities in reproductive rights, especially in the way these rights are conceptualized and applied. Through a RJ lens, reproductive rights involve the right to not have children, but also concomitant rights to have children, and to parent children in safe environments with dignity. These latter two sets of rights are of particular historical concern to black parents and parents of color, given that their rights to have children, keep children, and parent them safely have been routinely targeted in medical, legal, and economic domains.

By drawing together expertise from local Philadelphia communities, community organizers, and Penn scholars, we aim to conscientiously build a monthly community sharing space, develop our understanding of reproductive justice, and develop practical ideas for integrating RJ frameworks more deeply into our practices.



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BE  HOLDING  |  IN  SEARCH  OF  BLACK  GENIUS,  JUSTICE,   AND JOY

2/2/2024

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REGISTER
Our Third Thursday event for February explores BE HOLDING,  an original performance created by poet Ross Gay, composer Tyshawn Sorey, new music ensemble Yarn/Wire, and director Brooke O’Harra. Inspired by Philadelphia 76ers basketball legend “Dr. J” and his iconic baseline scoop in the 1980 NBA Finals, Be Holding meditates on America’s history of racial violence in search of Black genius, justice, and joy. Produced by Girard College, a tuition-free boarding school for underserved youth that was at the center of Philadelphia’s civil rights movement, Be Holding opens the school’s historic campus to the city and fosters conversation on social justice issues that continue to impact its majority Black population today.

This conversation brings together key creative voices including poet and performer Yolanda Wisher, poet and performer David Gaines, director/artist Brooke O'Harra, and Ross Gay himself.

MEET THE SPEAKERS

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YOLANDA WISHER

Poet, musician, educator, and curator Yolanda Wisher is author of Monk Eats an Afro. Wisher performs a blend of poetry and song with her band Yolanda Wisher & The Afroeaters and produced their debut album Doublehanded Suite, released in 2022. Her writing has been featured in numerous literary journals as well as The New York Times, The Philadelphia Inquirer, CBC Radio, the Academy of American Poets' Poem-a-Day series, and the Poetry Foundation's Audio Poem of the Day series. Wisher has been commissioned to create new works of poetry by ICA Philadelphia, Fabric Workshop and Museum, HealthSpark Foundation, The Public Interest Law Center, Philadelphia Peace Plaza Committee, Delaware River Waterfront Corporation, and Philadelphia Jazz Project, among others. Wisher has been a poet in residence at Hedgebrook and Aspen Words, and she has taught poetry at K-12 schools, community organizations, prisons, social service agencies, and colleges and universities. A Pew and Cave Canem Fellow, Wisher received the Leeway Foundation's Transformation Award in 2019 for her commitment to art for social change and was named a Philadelphia Cultural Treasures Artist Fellow in 2022. She works as a Senior Curator at Monument Lab.


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BROOKE O'HARRA

Brooke O’Harra (she/her) is a director, artist and performer. She co-founded The Theater of a Two-headed Calf. O’Harra developed and directed all 14 of Two-headed Calf’s productions including the OBIE Award winning Drum of the Waves of Horikawa (2007 HERE), Trifles (Ontological Hysteric Incubator 2010), and the opera project You, My Mother (2012 La Mama ETC, 2013, River to River Festival).
O’Harra conceived, directed, scripted, and performed in the Dyke Division’s live serial Room for Cream (Four seasons - 28 episodes) at La Mama, ETC 2008-10 and at the New Museum 2017. Brooke and the Dyke Division were also featured in The New Museum’s 40th Anniversary Show “Trigger: Gender as a Tool and a Weapon.”
For several years she has been creating and performing a nine-part directing/performance project, I am Bleeding All Over the Place: Studies in directing or nine encounters between me and you. Brooke is also the co-creator of a collaborative performance with artist Sharon Hayes called Time Passes. Time Passes is an 8-hour performance that uses the book-on-tape recording of Virginia Woolf’s To the Lighthouse as its spine.
Brooke is the Co-director of the Performance Intensive http://www.performanceintensive.org.

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ROSS GAY

Ross Gay is interested in joy.

Ross Gay wants to understand joy.
Ross Gay is curious about joy.
Ross Gay studies joy.
Something like that.
~
Ross Gay is the author of four books of poetry: Against Which; Bringing the Shovel Down; Be Holding, winner of the PEN American Literary Jean Stein Award; and Catalog of Unabashed Gratitude, winner of the 2015 National Book Critics Circle Award and the 2016 Kingsley Tufts Poetry Award. In addition to his poetry, Ross has released three collections of essays--The Book of Delights was released in 2019 and was a New York Times bestseller; Inciting Joy was released in 2022, and his newest collection, The Book of (More) Delights was released in September of 2023.

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DAVID A GAINES

David A. Gaines is a writer, filmmaker and actor born and based in Philadelphia. His work examines Blackness, masculinity, Christianity and mental health through an intersectional lens. Dave is an award-winning, nationally touring poetry performer, a fellow of The Watering Hole and BlackStar Filmmaker Lab, and a Poet Laureate of Pennsylvania’s Montgomery County; and his work has been featured in the National Black Arts Festival, Button Poetry, Write About Now, VICE Media, among many others. When not writing, performing, or orchestrating films, you can find Dave teaching poetry to Philly youth, playing narrative-centric video games or spending quality time with nature.
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